<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-681310908947454305</id><updated>2012-01-21T15:31:56.885+09:00</updated><title type='text'>The Light at the Center</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>18</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-5435445149620667649</id><published>2008-06-10T21:15:00.003+09:00</published><updated>2008-06-10T21:29:36.630+09:00</updated><title type='text'>Der Erlkonig:  Fischer-Dieskau sings Schubert</title><content type='html'>This is an incredible YouTube clip of a classic performance (1959) of a classic musical piece by Schubert based on the Goethe poem - enjoy!:&lt;br /&gt;&lt;br /&gt;http://kr.youtube.com/watch?v=P5B6nysheec&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;And here, a solo-violin version by Kristof Barati (2005):&lt;br /&gt;&lt;br /&gt;http://kr.youtube.com/watch?v=QR8cyJknO6E&amp;amp;NR=1&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-5435445149620667649?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/5435445149620667649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=5435445149620667649' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/5435445149620667649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/5435445149620667649'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/06/der-erlkonig-fischer-dieskau-sings.html' title='Der Erlkonig:  Fischer-Dieskau sings Schubert'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-668205714432916640</id><published>2008-05-15T23:00:00.004+09:00</published><updated>2008-05-16T00:18:32.661+09:00</updated><title type='text'>Thoughts on Earthquake In China News Coverage</title><content type='html'>Recently read an article in the Guardian about the earthquake situation in China.  I bothered to read the comments as well.  Here's my take:&lt;br /&gt;&lt;br /&gt;Chinese army is approximately 2.3 million (standing - reservists, etc. included, approximately 7 million).  China is lauded by some for having sent "tens of thousands" of members of the army to the area.  Tens of thousands, of a standing army over 2 million - to an area whose population is approximately 10 million?  Let's do the math:  10,000,000 / 130,000 (the only solid number I saw) = 1 troop for every 77 members of the most directly afflicted population.    Which doesn't sound that bad, until you consider the figure that in some areas, as much as 80% of the buildings collapsed.  Wow.  Sounds like North Korea, able to explode nuclear devices (with the unspoken intent of threatening South Korea with the prospect of nuking Seoul (a city of 14 million) - I mean really, if you were Kim Jong Il and you had a nuke, where would &lt;span style="font-style: italic;"&gt;you&lt;/span&gt; aim it?) but unable to prevent millions of their own people of dying from starvation.  Or the US for that matter - Hurricane Katrina and where is the military?  Afghanistan?  Iraq?&lt;br /&gt;&lt;br /&gt;Among the comments, the usual trash - Westerners exploiting tragedy to condemn China (an activity enjoyed, ironically enough, by neo-liberals and neo-cons as well), Chinese exploiting the tragedy and the slanted anti-Chinese Western bias (again, liberal and conservative alike) to proliferate their own propaganda, Dalai Lama supporters doing what they do, Chinese and American Christians (i.e. - the two groups that feel most threatened by the Dalai Lama), and  modern western intellectual  atheists bashing the Dalai Lama - using historical facts of course, but with a frivolous and misleading rhetorical bias....my God, is anyone still sane in the world?&lt;br /&gt;&lt;br /&gt;Two wrongs do not make a right.  A and B do not exist in a binary opposition by which if A is correct, than B is wrong, or vice versa.&lt;br /&gt;&lt;br /&gt;Nothing can be properly understood outside it's social, political, and economic context.&lt;br /&gt;&lt;br /&gt;Perhaps the two greatest impediments to legitimate analysis are 1) projecting specifics (however accurate) into generalizations, and 2) telescoping general statements, understandings, etc. (however accurate) into specifics.&lt;br /&gt;&lt;br /&gt;Reading from the article to the bottom of the comments, the Dalai Lama took a wild trip from "saintly" to "Communist collaborator" to "feudal tyrant"  and many stops in between.  Instead of throwing rocks at each other, let's focus on the bigger picture, shall we?&lt;br /&gt;&lt;br /&gt;1) The Dalai Lama, although he was a religious figurehead of an exploitative feudal system, cannot be held responsible for all abuses of power which occurred during his time in power.&lt;br /&gt;&lt;br /&gt;2) To what degree he was a figurehead and to what degree he was not should be properly researched and understood in proper historical context before anyone makes any accusations about his tyranny or claims about his saintliness.  Regardless, one has to admit that however saintly he might be/might have been, there's only so much that can be done in terms of social justice by &lt;span style="font-style: italic;"&gt;anyone&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;3) To the Chinese who are saying "If the Dalai Lama is so "saintly" why isn't he doing more to help the earthquake victims?" - what are you looking for?  The Dalai Lama to chant mantras and lift buildings off of people, or to make a public announcement about how much money he will be giving to the Chinese government to aid the victims?  Are either of these scenarios reasonable?  Probable?  They are all I can image within the field of what you seem to be hinting at.....&lt;br /&gt;&lt;br /&gt;4) That the Dalai Lama was a ruler of one government when he left 1) does not make him a hypocrite or liar for proposing a different government for Tibet in the future.  He's in a unique position to propose whatever he chooses when he's at the table with the Chinese government.  To be sure, open democracy in Tibet would be difficult at this point, what with the transplantation of ethnic Han in Tibet.  China certainly went out of its way to establish this difficulty and render the prospect of Tibetan autonomy nothing more appealing than either a disaster or a catastrophe.  You can only dislocate so many natives with transplants before autonomy for the natives becomes an inherent tyranny over the transplants - or, depending on the numbers - vice versa.&lt;br /&gt;&lt;br /&gt;5)  Bad journalism is bad journalism.  However, when there's a lack of sources, rumors and opinions become fact quite quickly.  If China wants to be represented more fairly in the foreign press, let more foreign press into China.  Don't expect good PR abroad from the newscorps you won't let into your country.  News people are realists (when they're not making things up - perhaps we should call them cynics instead....) - when they don't have solid evidence, they assume the worst, rather than the best.  Why?  It sells.  That doesn't make it right, but it does make it real.&lt;br /&gt;&lt;br /&gt;6) When a journalist refers to the Chinese government as being goons and thugs, the Chinese government can resentment at being referred to as "goons and thugs" but it has no right to proliferate the misunderstanding that the journalist referred to the Chinese people as "goons and thugs."  This is why the Chinese people have such a twisted view of history.  This is why they are so "supportive" of the Chinese government.  All they have every known is propaganda, to such a degree that - when the propaganda (by 'propaganda' I mean 'persuasive transmission of information both true and false) actually happens to be valid - because it's within the context of such an enormous, over-arching state agenda of manufactured consent - it can't really be said to have any value - passive consumption of a state-sponsored truth is as distorting as the passive consumption of a state-sponsored lie.&lt;br /&gt;&lt;br /&gt;7)  Yes, America/Western Europe, there is a sick irony to be seen here:  The liberated free-market individual isn't very easily to mobilize in times of trouble.  Brainwashed conformists who have no real notion of identity outside of "member of the state" are in many ways much more motivated to donate their time when it comes to these sorts of things, and the concept of 'profit-motive' - falling in the field somewhere between 'unlikely' and 'non-existant' (China being what it is - i.e. Communist) doesn't serve as an impediment towards (if such a thing exists) the human propensity to help others.  Is humanitarianism &lt;span style="font-style: italic;"&gt;not&lt;/span&gt; humanitarianism if it's inspired by a state apparatus of psychological control whose primary mechanism is fear, rather modern Western post-enlightenment liberal ideology?&lt;br /&gt;&lt;br /&gt;8)  Statements such as "How much money did you send?" and "What have you done to help?" are usually uttered by people who haven't provided any aid themselves, and the only people who feel hurt by them are the people who did help, and feel guilty about not having been able to have helped more.  Such statements can be effective for raising funds or bodies for relief efforts, but with regards to discussion about politics, they are persuasive, rather than analytical - meaning that they are useless, misleading, and anyone using them in such a context immediately risks immediate self-invalidation.&lt;br /&gt;&lt;br /&gt;9)  Criticism and analysis should &lt;span style="font-style: italic;"&gt;never&lt;/span&gt; betray the bias of the commentator.  If it does, it should be considered invalid - completely and immediately.  Really now, do you think anyone will take you the least bit seriously when your primary intent is stone-throwing, and journalistic/critical/analytical integrity is secondary?&lt;br /&gt;&lt;br /&gt;I could go on and on, citing passages and so forth, but why bother?&lt;br /&gt;&lt;br /&gt;Chris&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-668205714432916640?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/668205714432916640/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=668205714432916640' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/668205714432916640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/668205714432916640'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/05/thoughts-on-earthquake-in-china-news.html' title='Thoughts on Earthquake In China News Coverage'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-810117290683983855</id><published>2008-05-08T21:58:00.006+09:00</published><updated>2008-05-08T22:03:22.330+09:00</updated><title type='text'>Brown Bunny</title><content type='html'>&lt;span style="font-style: italic; font-family: arial;font-family:arial;font-size:100%;"  &gt;The following is an e-mail sent to my friend Bryan - my reactions to the film "Brown Bunny" by Vincent Gallo:  &lt;/span&gt;&lt;p  style="margin-bottom: 0.0001pt; font-family: arial;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="margin-bottom: 0.0001pt; font-family: arial;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;I finally got around to seeing Brown Bunny.  I was expecting something much more shocking than what that second-to-last scene turned out to be.  Is it that no one has ever gotten/given head before, or is it just that no one's seen it in a movie before?  In all honesty, I was expecting Bud to strip naked, play with himself, and then hang himself, and Daisy to enter the room and suck off the penis of the dead body - so you can see why I wasn't shocked at all.&lt;br /&gt;&lt;br /&gt;The scene was by no means gratuitous - it fits in perfectly well with the rest of the movie. &lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The blurb on the back on the DVD case said something like, "culminating in the most shocking portrayal of male sexuality the cinema has ever seen..." - which is perhaps true, if what was meant by "male sexuality" was not an exposed penis getting off in a Hollywood movie star's mouth, but rather how Bud's incapacity/impotence to come to the aid of the woman he loved at her time of need resulted in trauma that left him 1) isolated and unable to relate to people in general, but more specifically, to women in any way other than as Daisy substitutes, and 2) unable to be intimate with women in any way any less vacuous than merely receiving some feminine consolation.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The infamous blowjob scene, in which he finally yields to intimacy/vulnerability can be summarized as follows:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;She’s exposed/naked, he’s just enough exposed to receive pleasure (she receives none), and he ends up hating himself and her immediately afterwards.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It’s pathetic in the most literal sense of the word – “deserving of pity” – and yet, I can’t help but equate Bud with stereotypical Western male sexuality – wounded and wounding, repressed and repressive, ashamed and ashaming, disgraced and disgracing.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;And despite it all, in a whole other sense, the incredible beauty of vulnerability.&lt;/span&gt;&lt;/p&gt;&lt;p  style="margin-bottom: 0.0001pt; font-family: arial;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-family: arial;font-size:100%;" &gt;&lt;span style=""&gt;It’s a shame that the buzz about the movie never got beyond cock, because it really is a powerful, subtle, and sensitive movie.  That's what that whole thing was about with Gallo pimping himself on e-bay - he made a very insightful, powerful movie that had a blowjob in it - everyone missed that point, and took it for smut and shock value.  He couldn't sell a sensitive, insightful movie about male sexuality either to &lt;st1:city st="on"&gt;Hollywood&lt;/st1:city&gt; or the viewing public, &lt;i style=""&gt;because neither &lt;st1:city st="on"&gt;Hollywood&lt;/st1:city&gt; nor the viewing public is capable of appreciating a subtle, insightful movie about male sexuality&lt;/i&gt;, so he pretended to sell himself and a pornstar gigolo, because that’s all that &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Hollywood &lt;/st1:place&gt;&lt;/st1:city&gt;&lt;/span&gt;&lt;span style=""&gt;and the American public can comprehend.&lt;/span&gt;&lt;span style=""&gt;  &lt;/span&gt;&lt;span style=""&gt;Disgrace?&lt;/span&gt;&lt;span style=""&gt;  &lt;/span&gt;&lt;span style=""&gt;What is disgrace?&lt;/span&gt;&lt;span style=""&gt;  &lt;/span&gt;&lt;span style=""&gt;&lt;span style=""&gt;Maybe disgrace is what happens when we lose all of our aesthetic and/or emotional sensitivi&lt;/span&gt;ty.&lt;br /&gt;&lt;br /&gt;Chris&lt;br /&gt;&lt;/span&gt; &lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-810117290683983855?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/810117290683983855/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=810117290683983855' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/810117290683983855'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/810117290683983855'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/05/brown-bunny.html' title='Brown Bunny'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-8482322464783933894</id><published>2008-04-12T02:51:00.003+09:00</published><updated>2008-04-12T03:02:43.052+09:00</updated><title type='text'>"The Ochre Robe" - Agehananda Bharati</title><content type='html'>First of all, I am trying to develop a new kind of humanism, one that values &lt;span style="font-style: italic;"&gt;men&lt;/span&gt; but denies that the value of &lt;span style="font-style: italic;"&gt;mankind&lt;/span&gt; is something beyond and above men....I visualize a radical syncretism, with no compromise between the mystical and the intellectual.  I am convinced that meditation and intellectual humanism together can generate a unique combination which will eclipse the lop-sided, arid, 'scientific', non-involved scientism prevalent at Western academies...it will also avoid the equally slanted, anti-intellectual mysticism of much older date based on the mistaken ascription of ontological status to subjective experience...&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;- from the Introduction to "The Ochre Robe" by Agehananda Bharati&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-8482322464783933894?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/8482322464783933894/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=8482322464783933894' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/8482322464783933894'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/8482322464783933894'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/ochre-robe-agehananda-bharati.html' title='&quot;The Ochre Robe&quot; - Agehananda Bharati'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-839337047929950926</id><published>2008-04-12T02:48:00.002+09:00</published><updated>2008-04-12T19:06:12.558+09:00</updated><title type='text'>Naga Babas on Youtube</title><content type='html'>I don't feel compelled to comment on this.  I you feel strongly about this, in any way, you should read "The Ochre Robe" by Agehananda Bharati.  Reserve words or judgment until after having done so.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=hsTCuV8qZBA"&gt;http://www.youtube.com/watch?v=hsTCuV8qZBA&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-839337047929950926?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/839337047929950926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=839337047929950926' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/839337047929950926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/839337047929950926'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/naga-babas-on-youtube.html' title='Naga Babas on Youtube'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-1500016774069633423</id><published>2008-04-10T20:08:00.005+09:00</published><updated>2008-04-12T19:11:34.162+09:00</updated><title type='text'>Olympic Torch Protests</title><content type='html'>I can't help but find all the fuss and protest surrounding the &lt;a href="http://en.wikipedia.org/wiki/Olympics"&gt;Olympic&lt;/a&gt; torch intriguing, if not outright validating.&lt;br /&gt;&lt;br /&gt;What were the Olympics?  What was their purpose?  What have they become?&lt;br /&gt;&lt;br /&gt;The first recorded games were held in 776 b.c.e. (although scholars have suggested dates for the first games ranging from 884 - 704 b.c.e.) - the games continued to be celebrated until  393 c.e.&lt;br /&gt;&lt;br /&gt;As noted in Wkipedia:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Olympics were of fundamental religious importance, contests alternating with sacrifices and ceremonies honouring both Zeus (whose colossal statue stood at Olympia), and Pelops, divine hero and mythical king of Olympia famous for his legendary chariot race, in whose honour the games were held.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Upon winning the games, the victor would have not only the prestige of being in first place but would also be presented with a crown of olive leaves. The olive branch is a sign of hope and peace.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;The original games being held within Greece, the competition was never between rival countries, but rather, between rival athletes - and although the games were considered a celebration of the achievements of the human body,  the ritual importance of the games and the olive branch crown suggest a greater importance being placed on the greatness (i.e. - the hope which compels continually towards the attainment of peace) which can potentially be attained through the joyful marriage of human will and divine grace.&lt;br /&gt;&lt;br /&gt;It has not been until the revival of modern times that the Olympics have become a stage upon which the ugliness of nationalism has strutted about, seizing achievement from the athlete in order to beautify itself.&lt;br /&gt;&lt;br /&gt;The modern Olympics has an interesting history of serving as another sort of international stage - one for boycott and protest.  The "Olympics" entry in Wikipedia has some interesting information regarding this - I find the following to be very interesting in light of the recent torch-ceremony controversy:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Also in 1976, due to pressure from the &lt;/span&gt;&lt;span style="font-style: italic;"&gt;People's Republic of China&lt;/span&gt;&lt;span style="font-style: italic;"&gt; (&lt;/span&gt;&lt;span class="mw-redirect" style="font-style: italic;"&gt;PRC&lt;/span&gt;&lt;span style="font-style: italic;"&gt;), &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Canada&lt;/span&gt;&lt;span style="font-style: italic;"&gt; told the team from the &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Republic of China&lt;/span&gt;&lt;span style="font-style: italic;"&gt; (&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Taiwan&lt;/span&gt;&lt;span style="font-style: italic;"&gt;) that it could not compete at the Montreal Summer Olympics under the name "&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Republic of China&lt;/span&gt;&lt;span style="font-style: italic;"&gt;" despite a compromise that would have allowed &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Taiwan&lt;/span&gt;&lt;span style="font-style: italic;"&gt; to use the &lt;/span&gt;&lt;span style="font-style: italic;"&gt;ROC flag&lt;/span&gt;&lt;span style="font-style: italic;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic;"&gt;anthem&lt;/span&gt;&lt;span style="font-style: italic;"&gt;. The Republic of China refused and as a result did not participate again until 1984, when it returned under the name "&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Chinese Taipei&lt;/span&gt;&lt;span style="font-style: italic;"&gt;" and used a special flag.   &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;So when the Mao Tse-tung and the communists drove the socialists off of mainland Asia onto the island known as Taiwan, the People's Republic of China considered "those people" unfit to refer to themselves as a "Chinese Republic" and they were refused entry to the "stadion" (Greek: "Στάδιον") by the entire global community until the ROC finally yielded to changing their name two Olypiads later.  Tibet, on the other hand, 1) not identifying with the ideological precepts of communism, 2) having had a period of autonomous self-rule (however short-lived), 3) being ethnically distinct from the Han ethnic majority of China, and 4) speaking a language having stronger resemblance to Sanskrit than to either Mandarin or Cantonese, is being subjected to the iron fist of Chinese tyranny, and the media decries those around the world protesting the Olympics and disturbing the torch run as "detracting for the glory of the athletes and the games."  [&lt;span style="font-style: italic;"&gt;ed. note:  quotes indicate a generalized, hypothetical yet typical speech of perceived public and media attention, &lt;/span&gt;not&lt;span style="font-style: italic;"&gt; reference to the Wikipedia entry.&lt;/span&gt;]&lt;br /&gt;&lt;br /&gt;A shady and checkered history indeed.  Let's not forget the infamous "Nazi" Olympics of 1936, which rather than serving to commemorate the greatness (i.e. - the hope which compels continually towards the attainment of peace) which can potentially be attained through the joyful marriage of human will and divine grace, commemorated NAZI ideology and served as a backdrop for NAZI propoganda.  The most brilliant achievement of those games was attained by &lt;a href="http://en.wikipedia.org/wiki/Luz_Long" title="Luz Long"&gt;Luz Long&lt;/a&gt;, a German track and field star who, having given advice to fellow long-jumper and fellow human being Jesse Owens (a black American), ensured that Owens would win the gold medal, rather than himself.   Although no "proper" Olympic medal was awarded to Long to commemorate his shining victory over the numinous shadow of fascist ideology, he "was posthumously awarded the Pierre de Coubertin medal."&lt;br /&gt;&lt;br /&gt;The salute delivered by German athletes during those games contrasts sharply with those delivered by Tommie Smith and John Carlos at the 1968 Olympics in Mexico City. I highly recommend checking the Wikipedia entry for the &lt;a href="http://en.wikipedia.org/wiki/1968_Olympics_Black_Power_salute"&gt;1968 Olympics Black Power Salute&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;IOC&lt;/span&gt;&lt;span style="font-style: italic;"&gt; president &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Avery Brundage&lt;/span&gt;&lt;span style="font-style: italic;"&gt; deemed a domestic political statement unfit for the apolitical, international forum the Olympic Games was supposed to be...A spokesperson for the organization said it was "a deliberate and violent breach of the fundamental principles of the Olympic spirit."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;What does it mean to make a political statement?  What does it mean to make a humanist statement?  Slavery, lynching, rape, abduction, exploitation - these are humanist concerns.  They become "political" when they are sanctioned by the State.  That slavery, lynching, rape, abduction, exploitation have been sanctioned by the United States of America in various degrees ranging from legislative positivism (legality of slavery) to the outright conspiratorial (intentional non-treatment of black syphilis patients as a "scientific" experiment - an episode which went without apology from the U.S. government to the black community until President William J. Clinton) certainly renders the protest of such concerns "political," yet that by no means negates their relevance to the idea of humanism which we have come to consider to constitute "the fundamental principles of the Olympic spirit."  Which is to say, &lt;span style="font-style: italic;"&gt;humanist protest remains so even after becoming political.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Smith later said "If I win, I am American, not a black American. But if I did something bad, then they would say I am a Negro. We are black and we are proud of being black. Black America will understand what we did tonight."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Let's pause for a moment and consider why it is that the Olympics are such a conducive medium for the distasteful anti-humanism of nation-statism (as well as it's uglier brother, &lt;span style="font-style: italic;"&gt;fascism&lt;/span&gt;) yet non-conducive as a medium for the athletes who,  as individuals, take a stand for the unique and undimishable value of the experience of human existence (&lt;span style="font-style: italic;"&gt;humanism&lt;/span&gt;)?&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;------------------&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Did you pause?&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;------------------&lt;/div&gt;&lt;br /&gt;Other items of note:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The leadership of IOC president Juan Antonio Samaranch especially has been strongly criticised. Under his presidency, the Olympic Movement made great progress, but has been seen as autocratic and corrupt. Samaranch's &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Franco"&gt;&lt;span&gt;ties with Franco's regime in Spain&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt; and his long term as a president (21 years, until he was 81 years old) have also been points of critique.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;A BBC documentary aired in August 2004, entitled Panorama: "Buying the Games", investigated the taking of bribes in the bidding process for the 2012 Summer Olympics. The documentary claimed it is possible to bribe IOC members into voting for a particular candidate city. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;It (the Olympic Movement) was accused of homophobia in 1982 when it successfully sued the Gay Olympics, an event now known as the Gay Games, to ban it from using the term "olympics" in its name.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Other links of note:&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Olympic_Project_for_Human_Rights"&gt;Olympic Project for Human Rights.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Dan Millman, "winner of the 1964 World Trampoline Championship in London" though not being an Olympian, was nonetheless an athlete of exception.  Here are links to his &lt;a href="http://en.wikipedia.org/wiki/Dan_Millman"&gt;Wikipedia&lt;/a&gt; entry and his &lt;a href="http://www.danmillman.com/"&gt;personal site&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---------------------------&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;To say the least, I feel as though the modern Olympic games bear no relation whatsoever to the historical origin of the games (outside all considerations of athletics, of course).  Rather, the games have come to embody not merely nationalism, nor fascism, but the supremacy of the State over the will of the individual, in the same Orwellian inversion by which tyranny prances about, all tarted-up, donning the garb of liberty and sleazy make-up, remaining nothing but a whore, that "&lt;a href="http://en.wikipedia.org/wiki/Orwellian"&gt;political manipulation of language, by obfuscation, e.g. WAR IS PEACE...Using language to obfuscate meaning or to reduce and eliminate ideas and their meanings that are deemed dangerous to its authority.&lt;/a&gt;"  What has come to matter more than the achievement of the athlete, than the joint participation of so many diverse nations of the world, than the greatness (i.e. - the hope which compels continually towards the attainment of peace) which can potentially be attained through the joyful marriage of human will and divine grace - is the salute &lt;span style="font-style: italic;"&gt;to the flags of nations&lt;/span&gt;, a ritual embracing perhaps the most intrinsic, pervasive human quality and its correlative tendency:  Fear and the submission thereof.  If I am reading the historical dialectic correctly, than the outward phenomenon of protest against the progress of the torch is in essence a protest against the globally-united State apparatus of fear.  I have not yet fully renounced the making of politic statements.  Nevertheless, if I had already done so, I would continue to write what I am about to write, as it would not constitute a political statement, but a humanist one:  I am in full support of the "&lt;a href="http://en.wikipedia.org/wiki/Dan_Millman"&gt;Peaceful Warriors&lt;/a&gt;," be they on the streets on London, be they on the streets of Paris, be they on the streets of San Francisco, be they on the streets of New York, Washington DC, Chicago, Mexico City, Lhasa, be they upon the winner's blocks of the 1968 Olympics, be they upon the bricks of  the Square of the Gate of Heavenly Peace (otherwise known as Tiananmen Square, &lt;span lang="zh-Hans"&gt;天安门广场&lt;/span&gt;).&lt;br /&gt;&lt;br /&gt;Let's expand the boycott and have done with this militaristic nonsense of medals altogether.  Rather, let's make ourselves worthy of the olive-crown of hope and peace, thereby re-gaining the true essence of what it means to be an "Olympian" - may we all walk as "gods" upon the earth - as individuated embodiments of peace, light, and love.&lt;br /&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;-------------------------&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;I now provide a closing statement - written February 23, 2006:&lt;br /&gt;&lt;p class="MsoNormal"&gt;One often hears talk of the world - that great nations have produced a great people, a great language, law, philosophy, literature, art, music, cuisine - all those things absent-mindedly aggregated to produce our vague notion of &lt;i style=""&gt;culture&lt;/i&gt;.&lt;span style=""&gt;  &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Yet just as one cannot suggest that the scoundrels and villains of a great nation are somehow greater than those of a nation of lesser calibre, it cannot be said that a great nation is capable of producing a great people.&lt;span style=""&gt;  &lt;/span&gt;On the contrary, quite the opposite is true:&lt;span style=""&gt;  &lt;/span&gt;&lt;span style="font-style: italic;"&gt;It is the greatness of individuals which constitutes the apparent greatness of a nation.  &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Exceptional &amp;amp; extraordinary ones take birth, live and die the world over.&lt;span style=""&gt;  &lt;/span&gt;If it can be said that a society is great, it must necessarily be on account of its capacity to allow greatness to be sown, to take root, to bud, blossom and flourish.&lt;span style=""&gt;  &lt;/span&gt;Is the soil dark and rich?&lt;span style=""&gt;  &lt;/span&gt;Or is it salty, bitter and pallid?&lt;span style=""&gt;  &lt;/span&gt;Is the blue sky clear?&lt;span style=""&gt;  &lt;/span&gt;Or hung heavy with jaundiced haze?&lt;span style=""&gt;  &lt;/span&gt;Does it take to cloud and bestow its nourishing rain-bounty?&lt;span style=""&gt;  &lt;/span&gt;Or miserly withhold its blessing?&lt;span style=""&gt;  &lt;/span&gt;Is the environment amenable and generous, or populated by ravagers and rapists?&lt;span style=""&gt;  &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Society, by its very nature, inclines itself not towards Eden:&lt;span style=""&gt;  &lt;/span&gt;Rather, let it not be said that a society is great - let it be known that it must necessarily be that those individuals of greatness, those exceptional and extraordinary ones - are able to manifest their greatness &lt;i style=""&gt;in spite of&lt;/i&gt; the adversities necessarily set against them by society.&lt;span style=""&gt;  &lt;/span&gt;So simple for the children of the earth to be as gods!&lt;span style=""&gt;  &lt;/span&gt;So extraordinary for the children of modernity!&lt;/p&gt;&lt;br /&gt;Christopher&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-1500016774069633423?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/1500016774069633423/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=1500016774069633423' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/1500016774069633423'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/1500016774069633423'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/olympic-torch-protests.html' title='Olympic Torch Protests'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-4399345648609216240</id><published>2008-04-06T10:33:00.003+09:00</published><updated>2008-04-06T10:36:17.978+09:00</updated><title type='text'>Favorite YouTube Clips</title><content type='html'>Here are links to two recent favorite YouTube clips.  Both are only for fans of rock music, and especially for fans of John Frusciante.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a target="_blank" href="http://www.youtube.com/watch?v=jgy9eTs6fcY"&gt;&lt;span class="yshortcuts" id="lw_1207445707_0"&gt;http://www.youtube.com/watch?v=jgy9eTs6fcY&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a target="_blank" href="http://www.youtube.com/watch?v=gRDS9n4cBPU"&gt;&lt;span class="yshortcuts" id="lw_1207445728_0"&gt;http://www.youtube.com/watch?v=gRDS9n4cBPU&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-4399345648609216240?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/4399345648609216240/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=4399345648609216240' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/4399345648609216240'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/4399345648609216240'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/favorite-youtube-clips.html' title='Favorite YouTube Clips'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-6731367647036386613</id><published>2008-04-06T01:56:00.000+09:00</published><updated>2008-04-06T01:57:12.924+09:00</updated><title type='text'>Song of the Heathkeeper, Lover, &amp; Sleep</title><content type='html'>&lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;u&gt;&lt;span style="font-size: 11pt;"&gt;Song of the Hearthkeeper, Lover, &amp;amp; Sleep&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Knock, knock what closed - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;once opened?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Perhaps never, perhaps yet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Knock, knock closer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Wish-you the hearth-keeper&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;attend this entreat&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;as to the whisperings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;of a lover, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;bedded &amp;amp; content?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;(Know well it can only be so,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;that such summons be heard!)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Closer, closer still, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;holding a stillness - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;suggestion of a breath &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;in the darkness:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;Sigh, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;porter of words&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;lost to the oblivious &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;realm of the day.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;Buried - no, less buried than subtle, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;the mysterious paisley &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;lost in the noise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;of a teardrop.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;(Distant from you, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;            &lt;/span&gt;the rain falls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;            &lt;/span&gt;into my empty shoes.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Would you that he listen closer?&lt;span style=""&gt;  &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;How much wish you so?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Be words there not formed of palette, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;nevertheless, making a silent movement &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;within the stillness?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;(Starlight, twisting a quickest 'round the earth&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;            &lt;/span&gt;casting an affectionate eye upon moon - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;            &lt;/span&gt;back at us, either &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;            &lt;/span&gt;she winks or she smiles - )&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Closer, closer, moving closer - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;the ear drawn towards &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;throat strings of chording - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Breath of a breeze, the stillness, &lt;i&gt;such&lt;/i&gt; stillness -&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Still, so &lt;i&gt;still&lt;/i&gt; those strings be - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Breath - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Sleeping, her fingers lay upon them not.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Still, still closer?&lt;span style=""&gt;  &lt;/span&gt;Still closer still?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Further, further still?&lt;span style=""&gt;  &lt;/span&gt;Still further still?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Follow, then, follow the wind downwards,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;that melody of the luminous rhythm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Follow, then , follow the stream - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;whispers of cascading ripples,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;towards the snow-glazed origin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;of the still-most mountain&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;between the breasts, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;towards the numinous cave&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;of the heart, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;and still - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Breath, listen close, you, listen close - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;hear you words?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;Closer, closer, closer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;Deeper, Deeper - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;Silent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Thought you that breath need carry some burden of word?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;You're attention, the breath, she garnered - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;you, blessedly mistaken, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;not words, you&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;the breath - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;she carried you.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;She carried you &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;and lay you down - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;having listened, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;buried beneath contentment - &lt;span style=""&gt;    &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;            &lt;/span&gt;Sleep.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Would-you the hearth-keeper&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;listen so at his door?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;So as to hear you - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;so as to let you in?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Would you rap with knuckles, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;or with fingers tenderly tap?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;Place a rubbed-warm hand&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;upon the door - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style=""&gt;      &lt;/span&gt;in circles gently slide - &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;The rhythm, let it be festive, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;The song, let it be sweet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-6731367647036386613?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/6731367647036386613/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=6731367647036386613' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/6731367647036386613'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/6731367647036386613'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/song-of-heathkeeper-lover-sleep.html' title='Song of the Heathkeeper, Lover, &amp; Sleep'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-187581079820201548</id><published>2008-04-06T01:53:00.002+09:00</published><updated>2008-04-06T02:17:52.703+09:00</updated><title type='text'>Protest in Tibet</title><content type='html'>&lt;p class="MsoNormal"  style="text-align: center;font-family:arial;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="font-size:14;"&gt;What is Freedom?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;Notes on Freedom, &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Liberty&lt;/st1:place&gt;&lt;/st1:city&gt;, Revolution, &amp;amp; Evolution&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;For some, &lt;i style=""&gt;freedom&lt;/i&gt; means, "freedom to..." while for others, it means "freedom from..."&lt;span style=""&gt;  &lt;/span&gt;Is this the same freedom?&lt;span style=""&gt;  &lt;/span&gt;Either way, it must be acknowledged that freedom isn't conditional - it simply isn't freedom if it is qualified.&lt;span style=""&gt;  &lt;/span&gt;So why do we need to qualify the word "freedom" in order to understand it?&lt;span style=""&gt;  &lt;/span&gt;In truth, when we qualify the word, (any word), by our effort to be more specific, we lose our capacity to understand the concept - because the concept can only be understood in its totality.&lt;span style=""&gt;  &lt;/span&gt;We define and define and define ourselves in the direction of specificity and misunderstand, in the direct opposite direction of generality, the essence, the true knowing.&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;The Dalai Lama has become an internationally recognizable icon of freedom because he is an exile, and petitions the people and governments of the world to aid him and his people with their struggle for &lt;i style=""&gt;freedom from&lt;/i&gt; the oppression of the Chinese government.&lt;span style=""&gt;  &lt;/span&gt;He would like to see his people have the &lt;i style=""&gt;freedom to&lt;/i&gt; live and worship as they please.&lt;span style=""&gt;    &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;How is the Dalai Lama different from any other exile?&lt;span style=""&gt;  &lt;/span&gt;He is exiled from &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Tibet&lt;/st1:country-region&gt;&lt;/st1:place&gt;, to be sure – but he is also the Dalai Lama.&lt;span style=""&gt;  &lt;/span&gt;To say that the Dalai Lama is exiled from &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Tibet&lt;/st1:country-region&gt;&lt;/st1:place&gt; is to say that the Buddha is exiled from consciousness.&lt;span style=""&gt;  &lt;/span&gt;Properly understood from the perspective of Buddhist philosophy, &lt;st1:country-region st="on"&gt;Tibet&lt;/st1:country-region&gt; is in the Dalai Lamas heart, and regardless where he may travel, at each moment he resides in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Tibet&lt;/st1:place&gt;&lt;/st1:country-region&gt;.&lt;span style=""&gt;  &lt;/span&gt;&lt;st1:country-region st="on"&gt;Tibet&lt;/st1:country-region&gt; is the throne of his mind, at each moment he resides in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Tibet&lt;/st1:place&gt;&lt;/st1:country-region&gt;.&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;The Dalai Lama is different because he is the only exile who, &lt;span style="font-style: italic;"&gt;in a sense&lt;/span&gt;, doesn't really care.&lt;span style=""&gt;  &lt;/span&gt;He comes to America and lectures to leftist college students who deride Christianity and other religions as being superstitious&lt;span style=""&gt;  &lt;/span&gt;means of controlling the masses, (the &lt;i style=""&gt;exact&lt;/i&gt; same argument made by Mao Tse Tung to support the invasion of Tibet) - and they pander over him and lament his loss of freedom.&lt;span style=""&gt;  &lt;/span&gt;The Chinese government has never been know to be very impressionable.&lt;span style=""&gt;  &lt;/span&gt;I certainly doubt that China really has any regard for "the condemnation of the world for violations of human rights.  (This was written over a year ago, before the recent controversy surrounding the protests in Tibet and the Beijing Olympics - yes, perhaps there is some concern, but after the Olympics have come and gone, I don't really expect much will have changed with respect to human rights in China.)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;The Dalai Lama talks about Freedom - two, actually - the greater and the lesser, the unqualified &lt;span style="font-style: italic;"&gt;Freedom&lt;/span&gt; and the qualified &lt;span style="font-style: italic;"&gt;freedom to/freedom from&lt;/span&gt; , i.e. freedom for &lt;st1:country-region st="on"&gt;Tibet&lt;/st1:country-region&gt;, freedom from &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;China&lt;/st1:country-region&gt;&lt;/st1:place&gt;.&lt;span style=""&gt;  &lt;/span&gt;The Dalai Lama is most concerned with Freedom.&lt;span style=""&gt;  &lt;/span&gt;He is exiled from &lt;st1:country-region st="on"&gt;Tibet&lt;/st1:country-region&gt;, yet at each moment he resides in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Tibet&lt;/st1:place&gt;&lt;/st1:country-region&gt;.&lt;span style=""&gt;  &lt;/span&gt;He lectures to Modern Westerners about Freedom.&lt;span style=""&gt;  &lt;/span&gt;They are at home in the Modern West, yet they remain exiles from their own hearts, strangers from their own minds.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;The Dalai Lama would certainly like to see &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Tibet&lt;/st1:place&gt;&lt;/st1:country-region&gt;, and all of the people of the world free from oppression, and free to worship however they may choose.&lt;span style=""&gt;  &lt;/span&gt;As a boddhisattwa, he's made a vow to return from beyond the plane of this earthly existence, to suffer, and suffer, and teach, and teach, until every last soul in creation has attained freedom from the bondage of karma, the penultimate freedom,&lt;span style=""&gt;  &lt;/span&gt;which leads to the final, unqualifiable freedom.&lt;span style=""&gt;  &lt;/span&gt;He's been doing that for 14 lives as the Dalai Lama, and who knows for how long before that.&lt;span style=""&gt;  &lt;/span&gt;He will continue to do so until each soul is shepharded through the gates.&lt;span style=""&gt;  &lt;/span&gt;He wants to free our souls, and we buy a "Free Tibet" t-shirt and talk about how nice it would be if the nations of the world got together and adhered to trade sanctions to put economic pressure on &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;China&lt;/st1:place&gt;&lt;/st1:country-region&gt;, and all this about the Olympic torch.&lt;br /&gt;&lt;br /&gt;Don't get me wrong - I'm certainly not a fan of oppression, authoritarianism, fascism, exploitation, etc. - I've just been wanting to provide a different perspective on this recent Dalai Lama/Buddhism/Tibet/China phenomenon which has been so prevalent these last few years - the contrast between the greater and lesser freedoms, as they co-exist within the public perception of who the Dalai Lama is - gives us valuable insight into the value and both freedoms and the dynamic nature of consciousness.  It would be a shame to be entirely pre-occupied with only the material side of the curtain.  &lt;span style=""&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p face="arial" class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p face="arial" class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-187581079820201548?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/187581079820201548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=187581079820201548' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/187581079820201548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/187581079820201548'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/protest-in-tibet.html' title='Protest in Tibet'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-7803205352925238929</id><published>2008-04-06T01:43:00.000+09:00</published><updated>2008-04-06T01:44:24.807+09:00</updated><title type='text'>Aurobindo on Art</title><content type='html'>&lt;div style="text-align: justify; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;"If Art's device is but to imitate Nature, then burn all the picture galleries and let us have instead photographic studios.  It is because Art reveals what nature hides that a small picture is worth more than all the jewels of the millionaires and the treasures of the princes. &lt;br /&gt;&lt;br /&gt;If you only imitate the visible Nature, you will perpetuate either a corpse, a dead sketch or a monstrosity; Truth lives in that which goes behind and beyond the visible and sensible."&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;p style="font-family: arial;" class="MsoNormal"&gt; &lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt; - Aurobindo&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-7803205352925238929?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/7803205352925238929/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=7803205352925238929' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/7803205352925238929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/7803205352925238929'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/aurobindo-on-art.html' title='Aurobindo on Art'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-705546719503072584</id><published>2008-04-06T01:41:00.002+09:00</published><updated>2008-04-06T01:42:36.454+09:00</updated><title type='text'>You Will Find Me - Osho</title><content type='html'>&lt;p class="P1"  style="text-align: justify;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;As far as I am concerned, I am simply making every effort to make you free from everybody - including me - and to just be alone on the path of searching.&lt;span style=""&gt;  &lt;/span&gt;This existence respects a person who dares to be alone in the seeking of Truth.&lt;span style=""&gt;  &lt;/span&gt;Slaves are not respected by existence at all...So remember, when I'm gone, you are not going to lose anything.&lt;span style=""&gt;  &lt;/span&gt;Perhaps you may gain something of which you are absolutely unaware...I will be here in the winds, in the ocean; and if you have loved me, if you have trusted me, you will feel me in a thousand and one ways.&lt;span style=""&gt;  &lt;/span&gt;In your silent moments you will suddenly feel my presence...wherever you are, your thirst, your love...and you will find me in your very heart, in your very heartbeat.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="P1"  style="text-align: justify;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="P1" style="text-align: center;" align="center"&gt;&lt;span style="font-size:18;"&gt;&lt;span style="font-family:arial;font-size:100%;"&gt;- Osho&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-705546719503072584?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/705546719503072584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=705546719503072584' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/705546719503072584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/705546719503072584'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/you-will-find-me-osho.html' title='You Will Find Me - Osho'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-7247475860107059106</id><published>2008-04-06T01:29:00.003+09:00</published><updated>2008-04-06T01:37:43.280+09:00</updated><title type='text'>Gospel According to Thomas</title><content type='html'>&lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-style: italic;"&gt;I'm not sure where I found this - but I wanted to post it.  It's the Gospel According to Thomas, one of the twelve original disciples of Jesus the Christ, who, following the crucifixion, traveled to India to establish the first Christian church there (I believe it is in Goa, although I could be mistaken...).  And yes, I am fully aware the a majority of qualified and professional Biblical scholars doubt the authenticity of many of the extent gospels - so be it - they're still an interesting and thought-provoking read.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="margin: 5pt 0.5in; text-align: center;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;~&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;The following is a fresh translation, made from the Coptic text published by&lt;i&gt; &lt;/i&gt;Messrs. Brill of Leiden. In the preparation of this versi the following six translations have been consulted, in addition to to published by Messrs. Brill: English by W. R. Schoedel, French by Doresse and R. Kasser, German by J. LeipoIdt and Hans Quecke Danish by S. Giversen. The numbering of the sayings is that of the Brill edition. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;These are the secret words which the living Jesus spoke, and Didymus Judas Thomas wrote them down. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(1) And he said: He who shall find the interpretation of the words shall not taste of death. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(2) Jesus said: He who seeks, let him not cease seeking until: finds; and when he finds he will be troubled, and if he is troubled, he will be amazed, and he will reign over the All. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(3) Jesus said: If those who lead you say unto you: Behold, the Kingdom is in heaven, then the birds of the heaven will be before you. If they say unto you: It is in the sea, then the fish will be before you. But the Kingdom is within you, and it is outside of you. When you know yourselves, then shall you be known, and you shall know that you are the sons of the living Father. But if ye do not know yourselves, then you are in poverty, and you are poverty. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(4) Jesus said: The man aged in his days will not hesitate ask a little child of seven days about the place of life, and he shall live. For there are many first who shall be last, and they shall become a single one. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(5) Jesus said: Know what is before thy face, and what hidden from thee shall be revealed unto thee; for there is nothing hidden which shall not be made manifest. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(6) His disciples asked him and said unto him: Wilt thou that we fast?&lt;i&gt; &lt;/i&gt;And how shall we pray? Shall we give alms?&lt;i&gt; &lt;/i&gt;And what rules shall we observe in eating?&lt;i&gt; &lt;/i&gt;Jesus said: Do not lie; and that which you hate, do not do. For all things are revealed before heaven. For there is nothing hidden which shall not be manifest, and there is nothing covered which shall remain without being uncovered. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(7) Jesus said: Blessed is the lion which the man shall eat, and the lion become man; and cursed is the man whom the lion shall eat, and the lion become man. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(8) And he said: Man is like a wise fisherman, who cast his net into the sea and drew it up from the sea full of small fish. Among them the wise fisherman found a large good fish. He threw down all the small fish into the sea; he chose the large fish without trouble. He that hath ears to hear, let him hear. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(9) Jesus said: Behold, the sower went forth, he filled his hand, he cast. Some fell upon the road; the birds came and gathered them. Others fell on the rock, and sent no root down to the earth nor did they sprout any ear up to heaven. And others fell on the thorns; they choked the seed, and the worm ate them. And others fell on the good earth, and brought forth good fruit unto heaven, some sixty -fold and some an hundred and twenty -fold. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(10) Jesus said: I have cast fire upon the world, and behold I guard it until it is ablaze. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(11) Jesus said: This heaven shall pass away, and that which above it shall pass away; and they that are dead are not alive and they that live shall not die. In the days when you were eating that which is dead, you were making it alive. When you come in the light, what will you do?&lt;i&gt; &lt;/i&gt;On the day when you were one, you became two. But when you have become two, what will you do? &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(12) The disciples said to Jesus: We know that thou wilt go from us. Who is he who shall be great over us?&lt;i&gt; &lt;/i&gt;Jesus said to them: In the place to which you come, you shall go to James the Just for whose sake heaven and earth came into being. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(13) Jesus said to his disciples: Make a comparison to me, and tell me whom I am like. Simon Peter said to him: Thou art like a righteous angel. Matthew said to him: Thou art like a wise man of understanding. Thomas said to him: Master, my mouth will no wise suffer that I say whom thou art like. Jesus said: I am not thy master, because thou hast drunk, thou hast become drunk from the bubbling spring which I have measured out. And he took him, went aside, and spoke to him three words. Now when Thomas came to his companions, they asked him: What did Jesus say unto thee? Thomas said to them: If I tell you one of the words which he said to me, you will take up stones and throw them me; and a fire will come out of the stones and burn you up. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(14) Jesus said to them: If you fast, you will beget a sin for yourselves; and if you pray, you will be condemned; and if you give alms, you will do an evil to your spirits. And if you go into any land and travel in its regions, if they receive you eat what they set before you. Heal the sick among them. For that which goes into your mouth will not defile you, but that which comes forth from your mouth, that is what will defile you. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(15) Jesus said: When you see him who was not born of woman, throw yourselves down upon your face and worship him. He is your Father. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(16) Jesus said: Perhaps men think that I am come to cast peace upon the world, and know not that I am come to cast divisions upon the earth, fire, sword, war. For there shall be five in a house; there shall be three against two, and two against three, the father against the son and the son against the father, and they shall stand as solitaries. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(17) Jesus said: I will give you that which eye has not seen, an ear has not heard, and hand has not touched, and which has not entered into the heart of man. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(18) The disciples said to Jesus: Tell us how our end shall be. Jesus said: Have you then discovered the beginning, that you seek after the end? For where the beginning is, there shall the end be. Blessed is he who shall stand in the beginning, and he shall know the end and shall not taste of death. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(19) Jesus said: Blessed is he who was before he came into being. If you become my disciples and hear my words, these stones shall minister unto you. For you have five trees in Paradise which do not move in summer or&lt;i&gt; &lt;/i&gt;in winter, and their leaves do not fall. He who knows them shall not taste of death. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(20) The disciples said to Jesus: Tell us what the kingdom of heaven is like. He said to them: It is like a grain of mustard-seed, smaller than all seeds; but when it falls on the earth which is tilled, it puts forth a great branch, and becomes shelter for the birds of heaven. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(21) Mary said to Jesus: Whom are thy disciples like?&lt;i&gt; &lt;/i&gt;He said They are like little children dwelling in a field which is not theirs. When the owners of the field come, they will say: Yield up to us our field. They are naked before them, to yield it up to them and to give them back their field. Therefore I say: If the master of the house knows that the thief is coming, he will keep watch before he comes, and will not let him dig into his house of his kingdom to carry off his vessels. You, then, be watchful over against the world. Gird up your loins with great strength, that the brigands may not find a way to come at you, since the advantage for which you look they will find. May there be among you a man of understanding! When the fruit was ripe, he came quickly, his sickle in his hand, and reaped it. He that hath ears to hear, let him hear. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(22) Jesus saw some infants at the breast. He said to his disciples: These little ones at the breast are like those who enter into the kingdom. They said to him: If we then be children, shall we enter the kingdom?&lt;i&gt; &lt;/i&gt;Jesus said to them: When you make the two one, and when you make the inside as the outside, and the outside as the inside, and the upper side as the lower; and when you make the male and the female into a single one, that the male be not male and the female female; when you make eyes in the place of an eye, and a hand in place of a hand, and a foot in place of a foot, an image in place of an image, then shall you enter [the kingdom]. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(23) Jesus said: I shall choose you, one out of a thousand, and two out of ten thousand, and they shall stand as a single one. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(24) His disciples said: Teach us concerning the place where thou art, for it is necessary for us to seek after it. He said to them: He that hath ears, let him hear. There is a light within a man of light, and it gives light to the whole world. If it does not give light, there is darkness. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(25) Jesus said: Love thy brother as thy soul; keep him as the apple of thine eye. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(26) Jesus said: The mote which is in thy brother's eye, thou seest; but the beam which is in thine eye, thou seest not. When thou dost cast out the beam from thine own eye, then wilt thou see to cast out the mote from thy brother's eye. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(27) Jesus said: If you fast not from the world, you will not find the kingdom; if you keep not the Sabbath as Sabbath, you will not see the Father. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(28) Jesus said: I stood in the midst of the world, and I appeared to them in flesh. I found them all drunk, I found none among them thirsting; and my soul was afflicted for the sons of men, for they are blind in their heart and they do not see. For empty came they into the world, seeking also to depart empty from the world. But now they are drunk. When they have thrown off their wine, then will they repent. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(29) Jesus said: If the flesh has come into being because of the spirit, it is a marvel; but if the spirit (has come into being) because of the body, it is a marvel of marvels. But as for me, I marvel at this, how this great wealth has settled in this poverty. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(30) Jesus said: Where there are three gods, they are gods; where there are two or one, I am with him. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(31) Jesus said: No prophet is acceptable in his village; a physician does not heal those who know him. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(32) Jesus said: A city that is built on a high mountain and fortified cannot fall, nor can it remain hidden. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(33) Jesus said: What thou shalt hear in thine ear, proclaim to the other ear on your roof-tops. For no man lights a lamp and sets it under a bushel, nor does he put it in a hidden place; but he sets it upon the lamp-stand, that all who go in and come out may see its light. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(34) Jesus said: If a blind man lead a blind man, both fall into a pit. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(35) Jesus said: It is not possible for anyone to go into the strong man's house and take it (or him) by force, unless he bind his hands; then he will plunder his house. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(36) Jesus said: Be not anxious from morning to evening and from evening to morning about what you shall put on. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(37) His disciples said: On what day wilt thou be revealed us, and on what day shall we see thee?&lt;i&gt; &lt;/i&gt;Jesus said: When you unclothe yourselves and are not ashamed, and take your garments and lay them beneath your feet like little children, and tread upon them, then [shall ye see] the Son of the living One, and ye shall not fear. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(38) Jesus said: Many times have you desired to hear these words which I speak unto you, and you have none other from whom to hear them. Days will come when you will seek after me, and you will not find me. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(39) Jesus said: The Pharisees and the scribes have receive the keys of knowledge; they have hidden them. They did not go&lt;i&gt; &lt;/i&gt;in, and those who wanted to go in they did not allow. But you be ye wise as serpents and innocent as doves. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(40) Jesus said: A vine was planted apart from the Father, and since it is not established it will be pulled up by its roots and destroyed. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(41) Jesus said: He who has in his hand, to him shall be given; and he who has not, from him shall be taken even the little that he has. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(42) Jesus said: Become passers-by. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(43) His disciples said to him: Who art thou, that thou shouldst say these things to us? Jesus said to them From what I say unto you, you do not understand who I am, but you have become as the Jews; for they love the tree and hate its fruit, and they love the fruit and hate the tree. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(44) Jesus said: He who blasphemes against the Father will be forgiven, and he who blasphemes against the Son will be forgiven but he who blasphemes against the Holy Spirit will not be forgiven, either on earth or in heaven. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(45) Jesus said: They do not gather grapes from thorns, no pluck figs from camel-thistles; they do not yield fruit. A good man brings forth a good thing from his treasure; a bad man bring forth evil things from his evil treasure which is in his heart, and he says evil things; for out of the abundance of his heart he brings forth evil things. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(46) Jesus said: From Adam to John the Baptist there is none born of woman who is higher than John the Baptist, so that his eyes will not be broken (?) But I have said, He who shall be among you as a little one shall know the kingdom, and shall be higher than John. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(47) Jesus said: It is not possible for a&lt;i&gt; &lt;/i&gt;man to ride two horses or draw two bows, and it is not possible for a servant to serve two masters; or he will honour the one and insult the other. A man does not drink old wine and immediately desire to drink new wine; and they do not pour new wine into old skins, lest they burst, nor do they pour old wine into new skins, lest it spoil. They do not sew an old patch on a new garment, for a rent will come. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(48) Jesus said: If two make peace with one another in this or house, they shall say to the mountain: Be moved, and it shall be moved. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(49) Jesus said: Blessed are the solitary and the elect, for you shall find the kingdom; for you came forth thence, and shall go there again. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(50) Jesus said: If they say to you: Whence have you come?, tell them: We have come from the light, the place where the light came into being through itself alone. It [stood], and it re- vealed itself in their image. If they say to you: Who are you?, say: We are his sons, and we are the elect of the living Father. If they ask you: What is the sign of your Father in you?, tell them: It is a movement and a rest. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(51) His disciples said to him: On what day will the rest of the dead come into being? And on what day will the new world come? He said to them: That which ye await has come, but ye know it not. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(52) His disciples said to him: Twenty-four prophets spoke in Israel, and they all spoke concerning (lit. in) thee. He said them: You have neglected him who is alive before you, and have spoken about the dead. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(53) His disciples said to him: Is circumcision profitable or not? He said to them: Were it profitable, their father would beget them from their mother circumcised. But the true circum- cision in spirit has proved entirely profitable (lit.:&lt;i&gt; &lt;/i&gt;has found usefulness altogether). &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(54) Jesus said: Blessed are the poor, for yours is the kingdom of heaven. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(55) Jesus said: He who shall not hate his father and his mother cannot be my disciple, and (he who does not) hate his brethren and his sisters and take up his cross like me shall not be worthy of me. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(56) Jesus said: He who has known the world has found corpse, and he who has found a corpse, the world is not worthy of him. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(57) Jesus said: The kingdom of the Father is like a man who had [good] seed. His enemy came by night, he sowed a weed among the good seed&lt;i&gt;. &lt;/i&gt;The man did not allow them to pull up the weed. He said to them: Lest perhaps you go to pull up the weed, and pull up the wheat with it. For on the day of harvest the weeds will be manifest; they will be pulled up and burned. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(58) Jesus said: Blessed is the man who has suffered; he has found the life. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(59) Jesus said: Look upon the living One so long as you live, that you may not die and seek to see him, and be unable to see. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(60) They saw a Samaritan carrying a lamb going into Judaea. He said to his disciples: Why does he carry the lamb? They said to him: That he may kill it and eat it. He said to them: So long as it is alive he will not eat it, but if he kill it and it become a&lt;i&gt; &lt;/i&gt;corpse. They said: Otherwise he will not be able to do it. He said to them: You also, seek for yourselves a place within for rest, lest you become a corpse and be eaten. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(61) Jesus said: Two shall rest upon a bed; one shall die, the other live. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;Salome said: Who art thou; O man? And whose son? Thou hast mounted my bed, and eaten from my table. Jesus said to her I am he who is from that which is equal; to me was given of the things of my Father. Salome said I am thy disciple. Jesus said to her Therefore I say, when it is equal it will be filled with light, but when it is divided it will be filled with darkness &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(62) Jesus said&lt;i&gt;: &lt;/i&gt;I tell my mysteries to those [who are worthy of my] mysteries. What thy right hand shall do, let not thy left hand know what it does. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(63) Jesus said:&lt;i&gt; &lt;/i&gt;There was a rich man who had many possessions. He said: I will use my possessions that I may sow and reap and plant, and fill my barns with fruit, that I may have need of nothing. These were his thoughts in his heart. And in that night he died. He that hath ears, let him hear. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(64) Jesus said: A man had guests, and when he had prepared the dinner he sent his servant to summon the guests. He came to the first; he said to him: My master summons thee. He said: I have money with some merchants. They are coming to me in the evening. I will go and give them orders. I pray to be excused from he dinner. He went to another; he said to him: My master has summoned thee. He said to him: I have bought a house, and they ask me for a day. I shall not have time. He came to another; he aid to him: My master summons thee. He said to him: My friend is about to be married, and I am to hold a dinner. I shall not be able to come. I pray to be excused from the dinner. He went to another; he said to him: My master summons thee. He said him: I have bought a village; I go to collect the rent. I shall not&lt;b&gt; &lt;/b&gt;be able to come. I pray to be excused. The servant came, he said to his master: Those whom thou didst summon to the dinner have excused themselves. The master said to his servant: Go out to the roads. Bring those whom thou shall find, that they may dine. The buyers and the merchants [shall] not [enter] the places of my Father. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(65) He said: A good man had a vineyard. He gave it to husbandmen that they might work it, and he receive its fruit their hand. He sent his servant, that the husbandmen might give him the fruit of the vineyard. They seized his servant, they beat him, and all but killed him. The servant came (and) told his master. His master said: Perhaps they did not know him. He&lt;b&gt; &lt;/b&gt;sent another servant; the husbandmen beat the other also. Then the master sent his son. He said: Perhaps they will reverence my son. Those husbandmen, since they knew that he was the heir the vineyard, they seized him (and) killed him. He that hath ears, let him hear. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(66) Jesus said: Teach me concerning this stone which the builders rejected; it is the corner -stone. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(67) Jesus said: He who knows the All but fails (to know) him-self lacks everything. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(68) Jesus said: Blessed are you when they hate you, and persecute you, and do not find a place in the spot where they persecuted you. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(69) Jesus said: Blessed are they who have been persecuted in their heart; these are they who have known the Father in truth. Blessed are they that hunger, that they may fill the belly him who desires. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(70) Jesus said: When you bring forth that in yourselves, that&lt;b&gt; &lt;/b&gt;which you have will save you. If you do not have that in yourselves, that which you do not have in you will kill you. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(71) Jesus said: I will des[troy this] house, and none shall able to build it [again]. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(72) [A man said] to him: Speak to my brethren, that they may divide my father's possessions with me. He said to him: O man, who made me a divider? He turned to his disciples (and) said to them: I am not a divider, am I ? &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(73) Jesus said: The harvest indeed is great, but the labourers are few; but pray the Lord, that he send forth labourers into the harvest. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(74) He said: Lord, there are many about the well, but no one in the well. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(75) Jesus said: There are many standing at the door, but the solitary are they who shall enter the bridal chamber. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(76) Jesus said: The kingdom of the Father is like a merchant was who had a load (of goods) and found a pearl. That merchant was wise. He sold the load, and bought for himself the pearl alone. You also, seek after his treasure which does not perish but endures, where moth does not enter to devour, nor does worm destroy. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(77) Jesus said: I am the light that is over them all. I am the All; the All has come forth from me, and the All has attained unto me. Cleave a (piece of) wood: I am there. Raise up the stone, an ye shall find me there. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(78) Jesus said: Why came ye forth into the field? To see reed shaken by the wind&lt;i&gt;? &lt;/i&gt;And to see a man clothed in soft raiment?&lt;i&gt; &lt;/i&gt;[Behold, your] kings and your great men are they who are clothed in soft [raiment], and they [shall] not be able to know the truth. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(79) A woman in the crowd said to him: Blessed is the womb which bore thee, and the breasts which nourished thee. He said to her: Blessed are they who have heard the word of the Father and have kept it in truth. For there shall be days when you will say: Blessed is that womb which has not conceived, and those breasts which have not given suck. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(80) Jesus said: He who has known the world has found the body, and he who has found the body, the world is not worthy of him. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(8 I ) Jesus said: He who has become rich&lt;i&gt;, &lt;/i&gt;let him become king, and he who has power let him deny. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(82) Jesus said: He who is near to me is near the fire, and he who is far from me is far from the kingdom. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(83) Jesus said: The images are revealed to the man, and the light which is in them is hidden in the image of the light of the Father. He shall be revealed, and his image is hidden by his light. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(84) Jesus said: When you see your likeness, you rejoice; but when you see your images which came into being before you -- they neither die nor are made manifest -- how much will you bear? &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(85) Jesus said: Adam &lt;i&gt;came &lt;/i&gt;into being out of a great power and a great wealth, and yet he was not worthy of you. For if he tad been worthy, he would not have tasted of death. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(86) Jesus said: [The foxes have] the[ir holes] and the birds have [theirs nest, but the Son of Man has no place to lay his head and rest. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(87) Jesus said: Wretched is the body which depends upon a body, and wretched&lt;i&gt; &lt;/i&gt;is the soul which&lt;i&gt; &lt;/i&gt;depends on these two. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(88) Jesus said: The angels come to you, and the prophets&lt;i&gt;, &lt;/i&gt;and they shall give you what belongs to you; and you also, give the what is in your hands, and say to yourselves: On what day do they come and take what is theirs? &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(89) Jesus said: Why do you wash the outside of the cup?&lt;i&gt; &lt;/i&gt;Do you not understand that he who made the inside is also he who made the outside? &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(90) Jesus said: Come unto me, for easy is my yoke and my&lt;i&gt; &lt;/i&gt;lordship is gentle, and you shall find rest for yourselves. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(91) They said to him: Tell us who thou art, that we may believe in thee. He said to them: You test the face of the heaven and the earth, and him who is before you you do not know, and you know not to test this moment. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(92) Jesus said: Seek, and ye shall find; but those things concerning which ye asked me in those days, I did not tell you then. Now I wish to tell them, and ye seek not after them. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(93) Jesus said: Give not that which is holy to the dogs, lest they cast them on the dung- heap; cast not the pearls to the swine lest they grind it [to bits]. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(94) Jesus [said]: He who seeks shall find, and he who knock to him it shall be opened. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(95) [Jesus said]: If you have money, do not lend at interest, but give [it] to him from whom you will not receive them back. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(96) Jesus [said]: The kingdom of the Father is like a woman who took a little leaven and [hid] it in meal; she made large loaves of it. He that hath ears, let him hear. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(97) Jesus said: The kingdom of the [Father] is like a woman; carrying a jar full of meal and walking a long way. The handle the jar broke; the meal poured out behind her on the road. She was unaware, she knew not her loss. When she came into her house, she put down the jar (and) found it empty. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(98) Jesus said: The kingdom of the Father is like a man who wanted to kill a great man. He drew the sword in his house and drove it into the wall, that he might know that his hand would be strong. Then he slew the great man. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(99) The disciples said to him: Thy brethren and thy mother are standing outside. He said to them: Those here who do the will of my Father, these are my brethren and my mother; these are they who shall enter into the kingdom of my Father. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(100) They showed Jesus a gold piece and said to him: They who belong to Caesar demand tribute from us. He said to them: What belongs to Caesar give to Caesar, what belongs to God give to God, and what is mine give unto me. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(101) Jesus said He who shall not hate his father and: mother like me cannot be my [disciple], and he who shall [not] love [his father] and his mother like me cannot be my [disciple]; for my mother [. ..] but my true [mother] gave me life. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(102) And Jesus said: Woe to them, the Pharisees! For they are like a dog sleeping in the manger of the cattle; for he neither eats, nor does he let the cattle eat. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(103) Jesus said: Blessed is the man who knows in what part the robbers are coming, that he may rise and gather his [domain] and gird up his loins before they come in. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(104) They said [to him]: Come, let us pray today and fast. Jesus said: What then is the sin that I have done, or wherein have I been vanquished?&lt;i&gt; &lt;/i&gt;But when the bridegroom comes forth from the bridal chamber, then let them fast and pray. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(105) Jesus said: He who shall know father and mother shall be called the son of a harlot. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(106) Jesus said: When you make the two one, you shall become sons of man, and when you say: Mountain, be moved, it shall be moved. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(I07) Jesus said: The kingdom is like a shepherd who had hundred sheep. One of them, the biggest, went astray. He left the ninety-nine and sought after the one till he found it. When he had laboured, he said to the sheep: I love thee more than the ninety-nine. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(I08) Jesus said: He who shall drink from my mouth shall become like me; I myself will become he, and the hidden thing shall be revealed to him. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(109) Jesus said: The kingdom is like a&lt;i&gt; &lt;/i&gt;man who had in his field a [hidden] treasure about which he did not know; and [after] he died he left it to his [son. The] son also did not know; he took (possession of) that field and sold it. The man who bough it came to plough, and [found] the treasure. He began to lend money at interest to whomsoever he chose. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(110) Jesus said: He who has found the world and become rich, let him deny the world. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(111) Jesus said: The heavens shall be rolled up and the earth before your face, and he who lives in the living One shall neither see death nor (fear); because Jesus says: He who shall find himself, of him the world is not worthy. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(112) Jesus said: Woe to the flesh which depends upon the soul; woe to the soul which depends upon the flesh. &lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(113) His disciples said to him: On what day will the kingdom come? &lt;jesus&gt;: It cometh not with observation. They will not say: Lo, here! or: Lo, there! But the kingdom of the Father is spread out upon the earth, and men do not see it. &lt;/jesus&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;(114) Simon Peter said to them: Let Mary go forth from among us, for women are not worthy of the life. Jesus said: Behold, I shall lead her, that I may make her male, in order that she also may become a living spirit like you males. For every woman who makes herself male shall enter into the kingdom of heaven.&lt;/span&gt;&lt;/p&gt;&lt;p  style="margin: 5pt 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/p&gt;  &lt;p style="margin: 5pt 0.5in; text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:arial;"&gt;The Gospel according to Thomas.&lt;/span&gt;&lt;/span&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-7247475860107059106?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/7247475860107059106/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=7247475860107059106' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/7247475860107059106'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/7247475860107059106'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/gospel-according-to-thomas.html' title='Gospel According to Thomas'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-1095741990221307647</id><published>2008-04-06T01:05:00.005+09:00</published><updated>2008-04-06T10:32:56.052+09:00</updated><title type='text'>In Defense of Charlie Bukowski</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:arial;"&gt;One morning I received an e-mail from a friend who, while researching Charles Bukowski, ran across a blog lambasting Bukowski and his work.  He sent me a link, I read it, and wrote a response.  I sent the response to my friend, and to him only.  I had written it intending to send it to the author, but, on account of the tone - more snide, sarcastic and pedantic than I'm willing to not be ashamed of, I decided not to.  Time has passed, and I feel ok about presenting it here, in this way, with this forward - and substantial editing.  God forgive me. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The post seems to have originated in the Netherlands, written by a college student and speaker of English as a second language of Indian descent.  There were numerous references to Indian aesthetics.  I read into this as an example of Indian cultural chauvanism, and responded to it in kind with references to my own interest in Indian philosophy and aesthetics.   What was most distressing was the apparent lack of familiarity with American culture, the corpus of Bukowski's work, his life, and very basic nuances of the English language and writing in general which constitute a necessary prerequisite for saying anything as harsh and severe as what was written about Charlie.  Here is the link to the original post:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://wendelin.blogspot.com/2007/01/open-letter-to-india-uncut-and-admirers.html"&gt;http://wendelin.blogspot.com/2007/01/open-letter-to-india-uncut-and-admirers.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;And here is my response:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;                             &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;Nandini,&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;This morning I received an e-mail from a friend of mine, which expressed some degree of shock and dismay, and a link to your blog.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Curious, I followed the link to see what the fuss was all about.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;I must admit that I agree with him.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I must also admit that I must agree with you.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Am I a hypocrite or a fool?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Neither.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Rather, I am a student of aesthetics (especially literature) and philosophy, and for those who are interested in half truths, a reality half-constructed of lies is quite sufficient.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I’m not concerned with what others consider to be truths and lies – my understanding is that the largest picture is more valid than the smaller picture.&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;The difficulty in reading your statement is that you seem to be making multiple claims, and some of which have no relevance to the others at all:&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;“Plain prose with capitals removed and broken up randomly into uneven lines doesn't magically transform itself into poetry.”&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;This sounds like your railing against all poetry which does not use rhyme and meter.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;There are many, very widely respected poets who do not use rhyme and meter.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;There are also many who, over the course of history, have faithfully maintained the technical expectations of the art of their interest and in their day, and although what they wrote could technically be described as poetry, if you refuse to call what Bukowski has written “poetry,” then I can refuse to call anything Alexander Pope has written “poetry.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;He was a technician – a grammarian, a wordsmith, but not a poet.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I would trust Alexander Pope to fix my car, but I would not take him into my confidence as a friend.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Which is not to say that all of my friends are necessarily nice people.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;What I mean to say is that just as one can write a poem which is technically flawless, but without any heart or soul, so it is the case that a writer can produce a poem which is either entirely flawed from a technical standpoint, but having heart and soul, is very beautiful.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Have you read any haikus!&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;They are some of the most boring and the most thrilling poetry ever written!&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;There is a tendency to admire the beautiful flower in the beautiful glass-blown vase, and ignore the flower growing wild in the field.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Furthermore, this making a distinction between the poetry of technique and the poetry of feeling may potentially give us some insight into what Bukowski is trying to say.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Another look at the poem:&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;br /&gt;&lt;i style=""&gt;don't be like so many writers,&lt;br /&gt;&lt;br /&gt;don't be like so many thousands of&lt;br /&gt;&lt;br /&gt;people who call themselves writers,&lt;br /&gt;&lt;br /&gt;don't be dull and boring and&lt;br /&gt;&lt;br /&gt;pretentious, don't be consumed with self-&lt;br /&gt;&lt;br /&gt;love.&lt;br /&gt;&lt;br /&gt;the libraries of the world have&lt;br /&gt;&lt;br /&gt;yawned themselves to&lt;br /&gt;&lt;br /&gt;sleep&lt;br /&gt;&lt;br /&gt;over your kind.&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;                  &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;What seems to be the most important line?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;To my eye, “don’t be consumed with self-love” is the most important line.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;How might we transcribe that line into non-poetic prose?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;“Don’t allow your writing to be a vehicle for you egotism.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Don’t write because you want to be famous, to prove that you’re smarter than others, to prove that you have more skill than others.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The deeper implication is that people who write because they are driven and compelled to write live life in a similar manner, and that those who write because of egotistical motivations live life….&lt;i style=""&gt;in a similar manner&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Going on, you state:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;“Free verse does not free the poet from the demands of beauty.”&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;“Demands of Beauty” is an entirely persuasive term, which says nothing of any value to anyone except for your tastes or specific proselytizing stance.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It assumes that Beauty has made certain demands on art, to which all who claim to enjoy or produce art must prostrate in supplication.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;And I thought a young tree is beautiful because it yields to the wind?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;(What sort of a fool was I?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Maybe I should think that the wind is like Beauty, because it is a force to which the poem-tree must bow?)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;"Beauty" is a very dangerous word in aesthetic criticism.  Rhetoric is also very dangerous.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Further:&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;“Did you perchance take a look at Charlie's bio? It exposes him as the rankest hypocrite:&lt;/span&gt;&lt;/p&gt;                                                  &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;i style=""&gt;[In 1941 he] left school and moved to &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;New York City&lt;/st1:place&gt;&lt;/st1:city&gt; to become a writer. His lack of publishing success at this time caused him to give up writing in 1946 and spurred a ten-year stint of heavy drinking. After he developed a bleeding ulcer, he decided to take up writing again. He worked a wide range of jobs to support his writing, including dishwasher, truck driver and loader, mail carrier, guard, gas station attendant, stock boy, warehouse worker, shipping clerk, post office clerk, parking lot attendant, Red Cross orderly, and elevator operator. He also worked in a dog biscuit factory, a slaughterhouse, a cake and cookie factory, and he hung posters in &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;New York City&lt;/st1:place&gt;&lt;/st1:city&gt; subways. Bukowski ... began writing poetry at the age of thirty-five.”&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;i style=""&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Quite frankly, I completely fail to see anything hypocritical about this.  A hypocrite is someone who says one thing (for example, taking a moral stance), yet acts contrary to how he has spoken. Furthremore, this is a pretty bad biography.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;First of all, he was a heavy drinker before he even started to &lt;i style=""&gt;attempt &lt;/i&gt;to&lt;i style=""&gt; &lt;/i&gt;become published, and continued to be a heavy drinker until his death.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;His drinking had nothing to do with either his motivation to write or not to write.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The inability to support oneself by getting published, the necessity to spend a large amount of one’s time at a day job does &lt;i style=""&gt;not &lt;/i&gt;disqualify anyone as a poet.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;William Blake was an etcher and lithography by profession, a writer on the evenings and weekends.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Otherwise, he would have starved and died.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Was William Blake not a poet?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;William Carlos Williams wrote poems on the cuffs of his shirt on the subway to his job.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Was he not a poet?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Does it matter that Bukowski didn’t start writing poetry until after 35?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Is it unacceptable that a writer should choose to focus on one genre rather than another at some point in life?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Thomas Hardy wrote novels because he needed the money, and once he got enough money, retired from novels to write poetry.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Why do you think Dickens wrote so much?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;He was being paid &lt;i style=""&gt;by the word&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;So what of this charge of hypocrisy?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Let me suggest that success and failure are both relative.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I can consider myself a successful poet if I get published, &lt;i style=""&gt;or &lt;/i&gt;I can consider myself a successful poet if &lt;i style=""&gt;writing poetry is an activity which validates my existence&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Perhaps an artist isn’t someone who &lt;i style=""&gt;can&lt;/i&gt; do something, but who feels compelled to create, as though creation is the very essence of their existence.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Who do you think writes better poetry?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The psychological profile of the jealous artist is interesting, but the trouble with calling anyone a hypocrite (and I’ve discovered this myself, through my own error and observation) is that it is an easy coin to flip:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Are you so sure that you’re not railing against Bukowski because he was a successful (published) drunk, and that you are an unknown, although perhaps very talented (sober) poet?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Does it matter?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It shouldn’t if you write to validate your existence, because when you write to validate your existence, everything you write validates your existence, whether it is good or bad.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;All true artists know this.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;(When the yogi has attainted the &lt;i style=""&gt;siddhi&lt;/i&gt; of &lt;i style=""&gt;satya&lt;/i&gt; all he speaks is Truth, even of those things which have not yet occurred.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Thus the poet is the prophet of the soul.)&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;“Is there any doubt that this poem, this marvellous poem urging others NOT TO WRITE, is of the same breed?”&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Well, let’s look again to the poem.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Is Bukowski really asking others NOT TO WRITE?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I simply don’t see it.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I seem him asking folks not to write things that are dull, boring, and pretentious (Alexander Pope, &lt;i style=""&gt;are you listening?&lt;/i&gt;)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I also see him making a distinction between writers and non-writers, between those who write because it is the very essence of their existence, and those “&lt;i style=""&gt;people who call themselves writers”&lt;/i&gt; but who are in fact writing as an expression of being consumed with self-love.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Once again, we have to ask the question:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Is this poem about writing or life?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;If a writer is someone who &lt;i style=""&gt;has &lt;/i&gt;to write, and someone for whom every word is vital and exciting, and a non-writer is someone who does not &lt;i style=""&gt;have&lt;/i&gt; to write, but can (anyone who is literate), how can it be that he is urging writer’s &lt;i style=""&gt;not&lt;/i&gt; to write?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The true writer doesn’t have any choice.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Is it logically feasible to ask someone who already isn’t, &lt;i style=""&gt;not to be?&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;If you’re not an artist, Bukowski, or anyone else, really, cannot ask you not to be one.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;That would simply be redundant.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;What Bukowski seems to be suggesting when he uses the word, “pretentious” is that people go about their lives with some sort of integrity by cultivating a sense of self-awareness about who they are.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;He is not urging people not to be artists, but to pursue the non-aesthetic art of developing an authenticity of one’s character.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;For the writer, writing is the means for developing this authenticity.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;For the gardener, the garden.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;To each his own.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Neither his own taste, nor his own capacity, but just: most effective means of moving in the direction of one’s authentic self.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Bukowski is probably quite aware that “a boring book can be shut” but if a person is living their life in a way that is the very embodiment of ugliness, isn’t that a curse upon &lt;i style=""&gt;everyone &lt;/i&gt;who such a person happens to meet?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Including, and &lt;i style=""&gt;especially, that very person?&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;In his own way, Bukowski is not really special, no different from all other artists.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;He is obsessively preoccupied with the task that all other artists are:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Urging others to, as the Sufis would have it, “Die before death to be reborn within life…” or as Judaic scholars would have it, to multiply life by itself, to live as life itself has been squared, or as the Katha Upanishad suggests, “Arise, awake, and gain knowledge.”&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Hemmingway?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Hemmingway was also a drunk, and he blew his head off.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Remember?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Two drunks, one you claim to be a hypocrite because he was a drunk and at first, an unsuccessful (unpublished) writer, and another, who was a drunk, and a successful (published) writer, and then a suicide.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;What sort of act is suicide but hypocrisy?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Suicide is the very epitome of hypocrisy!&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Bukowski died a peaceful man.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;His later writing is very peaceful, he aged very well, he became comfortable with himself and life.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Even so, he kept writing, and he kept drinking, so he wasn’t a hypocrite for being a drunk and a writer, because he kept doing both at the same time, and he kept doing both after he became successful.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I read a poem he wrote in which he railed against his own fans who had the nerve to call him a hypocrite, because his wasn’t writing anguished poetry anymore:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;“What do you mean I got old, and sold-out - I’m still drinking three bottles of wine a day!” (That was a paraphrase, of course – I don’t happen to have the original with me at the moment.) Hemmingway, well, he blew his head off.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Was he a better writer, because he managed to become famous and a drunk at the same time, and because he became famous writing prose instead of poetry (you realize that by comparing the two, you’re comparing apples to oranges in the first place)?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It doesn’t really matter.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;A person writes during the course of their life for their own reasons, and literature is studied, critiqued, and hopefully, amidst all of the polemic, &lt;i style=""&gt;enjoyed&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;However, the life of a writer cannot &lt;i style=""&gt;ever&lt;/i&gt;&lt;/span&gt; validate or invalidate the value of the writer’s work.&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;This idea that biography validates art is an inherently moralistic notion which has notion to do with aesthetics.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Does it matter that Michelangelo was a homosexual?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Or Walt Whitman, or Plato, for that matter?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Plato’s skill in debate and the acuteness of his logic would have pleased Shankaracharya.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Yet still there are many who make such assumptions conflating biography and aesthetic value.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Frankly, I appreciate the work of many drunks, homosexuals, madmen, scoundrels, of many saints, sages, and mystics.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Antonin Artaud is on my bookshelf right next to Tagore, and the autobiography of that madman-homosexual-scoundrel-mystic Salvador Dali is right next to Yogananda’s “Autobiography of a Yogi.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;You are correct in stating that “History is rife with examples of writers who slaved, bled, wept and tortured themselves to get the words out, and we are so much the richer for their work.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;But it must be remembered that Hemingway was writing at the typewriter all six hours, even though he only produced six sentences.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Again, we must remember the distinction between writing and a writer.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;For a writer, writing is the essence of existence, irrespective of the number of words.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;For the non-writing attempting to write like a true writer, there is just the continual effort to fill the blank page with pretense, albeit a pretense which one might slave over in order to make it appear to others (or rather, oneself) as “authentic.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Furthermore, if we are to dismiss all writing and other art and knowledge produced by madmen, drunks, and scoundrels as being “invalid” or “illegitimate,” what an enormous loss that would be! &lt;i style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;“Who was it that said, "Writing is easy. You just put a blank sheet of paper in the typewriter and open a vein." Easy writing makes hard reading. Like that poem.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The writer who said that “Writing is easy…” was, I am quite sure, as a native English speaker, English teacher, and aesthetician and poet – &lt;i style=""&gt;sarcastic&lt;/i&gt;.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;A literary device which, judging by your comment, “Easy writing makes hard reading. Like that poem” you seem to have missed entirely.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The writer is not saying that writing is easy.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The writer is using the first sentence for contrast – it puts the reader at ease, expecting to receive another bland truism about writing, only to follow with a rather shocking, violent image of someone opening a vein.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Which is a way of saying, “it’s easy – you just have to look death in the eye without flinching and get the experience onto the paper.”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Your refutation of the poetic value of Bukowski should very well be dismissed on this point alone – you don’t seem to have a keen enough grasp on the English language to make this aesthetic criticism.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;You can criticize the grammar, you can analyze the style, but you simply can’t handle the aesthetic aspect of English poetry yet, and you certainly don’t know enough about the development of art within the context of American culture and particularly 20&lt;sup&gt;th&lt;/sup&gt; century history.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;And to dismiss the value of Bukowski’s life and poetry, after having read, &lt;i style=""&gt;so it seems to me&lt;/i&gt;, only &lt;i style=""&gt;one&lt;/i&gt; poem and a hackneyed, ideologically slanted, paragraph-long biography (Where exactly did you find it? &lt;a href="http://www.ihatebukowski.com/"&gt;www.ihatebukowski.com&lt;/a&gt;), is vulgar and irresponsible.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  Rhetoric is dangerous - a little skill with rhetoric places the power of persuasion in the hands of fools.   &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Finally, let me say that to some degree, I agree with you.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I don’t believe that dismissing poetic convention makes a good poet.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;And there are those who write prose, remove capitalization, hit the return key eccentrically, and call themselves a poet.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I used to do that.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Sometimes I wrote that way, and sometimes when I wrote, it wasn’t that way.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I stopped writing when it wasn’t completely and absolutely true, or real, or coming from the deepest part of me.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I only write about poem a year, but when I do, it is such a powerful experience that my body is shaking, and I don’t know who or what is guiding my hand.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;And the poem is beautiful.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Or it’s beautiful to me, and I go on living, not concerned about whether it is good or not, or if I could get it published, or even considering if, having only written one poem in the last two years, instead of two poems in the last two years, I am still a poet or not.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;There are thousands of Jackson Pollocks imitators, and plenty of Emily Dickens imitators, but only one, legitimate &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Jackson Pollocks&lt;/span&gt;&lt;span style="font-size:100%;"&gt;, and only one legitimate &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Emily Dickenson&lt;/span&gt;&lt;span style="font-size:100%;"&gt;.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Not because either of them were better writers or artists than those who imitated them – but because, through their art, they were living their own truth.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Have you wondered what Stephen King thought about Bukowski?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Many people who love Bukowski think that King is a hack, and I have a feeling King himself is pretty keen on Bukowski…I’ve read enough Stephen King that I feel comfortable writing that.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;King is essentially saying that “The writer with blood on the typewriter (the one who has opened a vein) is the one who is taking writing seriously, not the technician or moralist.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;If one thing can be said about Bukowski, it’s this (and this is generally something that is agreed upon by those who both like and dislike him):&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;He was a man with blood on his typewriter.&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;So what is poetry?&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Why do we call some writing “prose” and other writing “poetry?”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It has nothing to do with technical considerations, and nothing to do with dismissing technical considerations…so it must have something to do with content.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;I used to make a lot of attempts to define what poetry is, and then I quit – the task seemed not worthy the effort.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;In hindsight, perhaps the best possible working definition of poetry is simply, “Appearing to say one thing, but saying another, by saying&lt;i style=""&gt; in a different but similar manner.&lt;/i&gt;”&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It does not matter whether or not the poem says something simple in a very elaborate way (which dogmatically adheres to contemporary convention) or if a poem is written by a drunk like Bukowski, who says very elaborate and &lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;beautiful things in very simple, plain, “unpoetic” language.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;It’s just another turn of the coin.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;But if we turn the coin, again and again, in every situation, every scenario, in the direction contrary to the inclinations of our egos, then maybe we can follow those divergent streams of happiness and sadness, upstream to that point of divergence where one becomes two, and know the two to be one, and, having had a taste of &lt;i style=""&gt;Creative Unity&lt;/i&gt;, can free ourselves from the silly mandates of “Beauty” and look upon the pleasant and the unpleasant with an equal and unflinching joy, recognizing each as manifestation of the infinite, and accepting them as such.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;    &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;!--[if !supportLineBreakNewLine]--&gt; &lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p class="MsoNormal"  style="font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;Chris&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-1095741990221307647?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/1095741990221307647/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=1095741990221307647' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/1095741990221307647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/1095741990221307647'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/in-defense-of-charlie-bukowski.html' title='In Defense of Charlie Bukowski'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-5474298897102122499</id><published>2008-04-06T00:48:00.003+09:00</published><updated>2008-04-06T00:55:02.822+09:00</updated><title type='text'>Swing T-Thru</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: arial;"&gt;Today I purchased an electric guitar at the infamous Nakwon Musical Instruments Arcade in the Insadong area of Seoul - a neck-through Telecaster-style body produced by the Korean manufacturer "Swing Guitar Technology."  It's a nicely made guitar - if you intend to buy an decent, low-cost electric guitar in Korea, from what I saw today - I would suggest either a Cort or Swing.&lt;a href="http://www.swingguitars.com/zoom/t-thru_l.html"&gt;&lt;br /&gt;&lt;br /&gt;http://www.swingguitars.com/zoom/t-thru_l.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;img src="file:///C:/DOCUME%7E1/CHRIST%7E1/LOCALS%7E1/Temp/moz-screenshot.jpg" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-5474298897102122499?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/5474298897102122499/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=5474298897102122499' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/5474298897102122499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/5474298897102122499'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/swing-t-thru.html' title='Swing T-Thru'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-4080121678214527030</id><published>2008-04-05T23:45:00.004+09:00</published><updated>2008-04-06T00:24:59.051+09:00</updated><title type='text'>Bedlam in Goliath:  A Commentary</title><content type='html'>&lt;span style="font-style: italic; font-family: arial;font-size:100%;" &gt;Tuesday, January 29th, 2008, progressive-rock band The Mars Volta  (&lt;a href="http://www.themarsvolta.com/"&gt;http://www.themarsvolta.com&lt;/a&gt;) released an album entitled, "Bedlam in Goliath."   The album was inspired by the alleged discovery and subsequent experimentation with a ouija-style talking board which they dubbed "The Soothsayer."   Details are available on the Wikipedia site, &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;font-size:100%;"  &gt;&lt;a style="font-style: italic;" href="http://en.wikipedia.org/wiki/Bedlam_in_Goliath"&gt;http://en.wikipedia.org/wiki/Bedlam_in_Goliath&lt;/a&gt;&lt;span style="font-style: italic;"&gt;, and also on The Mars Volta's website. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;What follows are some notes written to a friend who, after having a few listens to the album, asked me, "So what are they singing about?"&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-size:100%;" &gt;&lt;br /&gt;What I get from what I’ve read and the lyrics is that there are three spirits attached to the board – they can all express themselves as individuals, but a fourth figure emerges, which is a complex of all three – or perhaps, not so much the three of them, but the essence of the relationship between them (other characters also appear – “Patience Worth,” “Mr. Mugs,” “Tourniquet Man” - perhaps different facets of the relationship).&lt;span style=""&gt;  &lt;/span&gt;The composite voice, dubbed “Goliath” is described as being starved – as one lyrics goes “What have you brought for my appetite?”&lt;span style=""&gt;  &lt;/span&gt;What Goliath seems to hunger for is manifestation in the material plane - Goliath wants to be incarnated again.&lt;span style=""&gt;  &lt;/span&gt;The band is fascinated&lt;span style=""&gt;  &lt;/span&gt;by this, and strings him along – not giving Goliath what Goliath wants, but enough attention to keep the interaction going.&lt;span style=""&gt;  &lt;/span&gt;Besides, Goliath has the story to tell, the story of the love triangle – a story which becomes more detailed and more complex – so Goliath tries to draw the band in deeper and deeper by elaborating on the story, hoping to pull them in and get from them what Goliath wants.&lt;span style=""&gt;  &lt;/span&gt;The band wants the story, they want the details, they want to continue the experimentation and communication, but they don’t want to give in to Goliath’s demands.&lt;span style=""&gt;  &lt;/span&gt;So Goliath starts to get impatient, and that’s what causes the ill events to start happening to the band.&lt;span style=""&gt;  &lt;/span&gt;“It’s only a matter of folding time and space / before I become your epidemic” is Goliath threatening the band to do his bidding.&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;                        &lt;p style="font-family: arial;font-family:arial;" class="MsoNormal" &gt;&lt;span style="font-size:100%;"&gt;The guitarist, Omar, was once asked in an interview about the sorts of decisions he makes regarding the bands musical direction.&lt;span style=""&gt;  &lt;/span&gt;His response was something to the extent of, “I just keep listening to the spirits that are guiding me and continue to do what they tell me.”&lt;span style=""&gt;  &lt;/span&gt;Cedric, the singer, is a conflicted Catholic – appearing to have given up entirely on the silly superstitiousness of Christianity – except for the fact that he can’t stop singing about it.&lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/o:p&gt;I think the connection between the Soothsayer and the Christian imagery in the album artwork (the artwork has several details from the passion of Christ) has something to do with this conflict between awareness of the spiritual world and the refusal of Christianity – sort of a “well, like it or not, Cedric, certain things are happening on the other side of the curtain – you couldn’t deal with it when you didn’t see it, you were perpetually haunted the “superstitions” of others.  Now a situation has arisen in which you are forced to acknowledge certain phenomenon, that which was once concealed behind the curtain is emerging on this side of manifestation.  What are you going to do?&lt;span style=""&gt;  &lt;/span&gt;How are you going to be?”&lt;span style=""&gt; &lt;/span&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;I had a silly idea about writing a phony psychiatric article very scientifically explaining how anyone who believes global warming is a myth conconcted by a liberal conspiracy camp is clinically neurotic.&lt;span style=""&gt;  &lt;/span&gt;To dismiss the evidence that has been presented by this point in history is simply not possible for a sane mind.&lt;span style=""&gt;   &lt;/span&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;I sort of feel the same way about the other side of the curtain.&lt;span style=""&gt;  &lt;/span&gt;By the turn of the century, if you still believed in God, you were pretty behind the times – really, God had been dead for some time at that point – the notion itself had already become rather passé.&lt;span style=""&gt;  &lt;/span&gt;But now, at the dawn of the new millennium, what with the theory of relativity, quantum theory, the proliferation of holistic thinking and holistic approaches to living and being…I’m actually somewhat surprised when I meet people who seem to be sort of “with it” and are still talking about religion like communists, that tiresome&lt;span style=""&gt;  &lt;/span&gt;“Religion is the opiate of the masses” sort of talk.&lt;span style=""&gt;  &lt;/span&gt;Really, now – that was a 19&lt;sup&gt;th&lt;/sup&gt; century revelation – no one cares about religion anymore – the real issue now is spirituality – and not whether such a thing as the other side of the curtain exists – but what the other side of the curtain is all about (and ultimately, what this side of the curtain is all about, and how they relate.)&lt;span style=""&gt;  &lt;/span&gt;It’s not that there’s nothing valuable about doubt or skepticism – it’s just that it’s an exercise, and at some point, there’s nothing left to gain, whereas when we accept that the other side of the curtain exists, a whole new realm of possibility opens up.&lt;span style=""&gt;  &lt;/span&gt;One of the things I’m very fond of saying – that I can say actually constitutes part of my personal philosophy of life and being, is: The possibility of choice is that which is the essence of our existence.&lt;span style=""&gt;  &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Even if the choice is illusory&lt;/span&gt;.&lt;span style=""&gt;  &lt;/span&gt;I have found that in my own life, the refutation of the Divine has presented less possibility, less choice than otherwise.&lt;span style=""&gt;  &lt;/span&gt;Others feel that to accept the possibility of the Divine is necessarily to deny free will, which is to limit (if not outright deny) the possibility of choice.&lt;span style=""&gt;  &lt;/span&gt;Ultimately, it’s not something that’s determined by the structure of the universe, but by our own minds, our own conditionings, our own pretenses.&lt;span style=""&gt;  &lt;/span&gt;I could never crawl into the smaller cage of Western Rationalism ever again.&lt;span style=""&gt;  &lt;/span&gt;That’s like an aneurysm, it’s like restricting myself to only the left half of my brain.&lt;span style=""&gt;  &lt;/span&gt;And to be existing in the material plane in 2008 and meeting people who at first seem to know what’s going on, yet still aren’t operating on this frequency surprises me.&lt;span style=""&gt;  H&lt;/span&gt;ow many years after Galileo before it was somewhat embarrassing to get into a conversation with someone, only to discover that they still believed the world was flat?&lt;span style=""&gt; &lt;/span&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;“So Cedric, how’s it going to be?”&lt;span style=""&gt;  &lt;/span&gt;Courting spirits – spirits which turned out to be malicious – forced the entire band to exercise free will.&lt;span style=""&gt;  &lt;/span&gt;Previously, the existence of the spiritual world precluded the possibility of free will.&lt;span style=""&gt;  &lt;/span&gt;Now, with the Soothsayer entering the picture, the existence of the spiritual world necessitated a particular type of exercise of free will – and by this necessitated exercise, provided an experiential proof either of the existence of free will or the benefit of operating under the pretense of free will, whether there exists a curtain, whether there is indeed another world behind the curtain, whether will is truly free or whether it is not.&lt;span style=""&gt; &lt;/span&gt;&lt;br /&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;So that, in a nutshell, is my take on what is happening, what they are singing about, on “Bedlam in Goliath.”&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-4080121678214527030?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/4080121678214527030/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=4080121678214527030' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/4080121678214527030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/4080121678214527030'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/04/bedlam-in-goliath-commentary.html' title='Bedlam in Goliath:  A Commentary'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-5777951823577779853</id><published>2008-02-18T22:28:00.009+09:00</published><updated>2008-06-02T20:09:42.872+09:00</updated><title type='text'>My Favorite Jews</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:arial;"&gt;It is lamentable that there still remains those persistent and troublesome notions that  1) the Jewish "people", and/or 2) the Jewish religious tradition somehow, by some mystical mechanics, exerts negative psychic / psychological / political / cultural / genetic / moral / economic influences upon other, more "righteous" societies.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;It is for this reason that I've decided to post this entry, a list of my favorite Jews.  Feel free to suggest any others I might want to add - I drafted it rather quickly, so there might be some oversights.  Bear in mind, just because Paula Abdul is famous, and would rightfully belong on a list of "Famous Jews," this is a list of "Favorite Jews," and although I don't dislike Paula Abdul, by the same measure, I can't really claim to be a fan.  And yes, I'm well aware that I included Paul Simon, but excluded Art Garfunkel.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;So here's the list:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;eden ahbez, Woody Allen, Geoffrey Blank, Jason Blank, Michael Bloomfield, Marc Bolan, Martin Buber, Noam Chomsky, Ryan Chorney, Jesus the Christ, Leonard Cohen, Sacha Baron Cohen, Al Cooper, Chris Cornell, Jacques Derrida, Bob Dylan (born Robert Zimmerman), Albert Einstein, Uri Ely, Ernst Fuchs, Allen Ginsberg, Jeff Goldblum, Peter Green, Adam Horovitz, Ben Harper, Jorma Ludwik Kaukonen, Jr., Robby Krieger, Gary Lucas, Matisyahu, Gustav Meyrink, Randy Newman, Joey Ramone, Tamir Ratzon, Lou Reed, Marc Ribot, Andrew Schneider, Mark Silverbush, Shel Silverstein, Paul Simon, Hillel Slovak, Tom Stoppard, MCA (Adam Yauch)&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-5777951823577779853?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/5777951823577779853/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=5777951823577779853' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/5777951823577779853'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/5777951823577779853'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/02/my-favorite-jews.html' title='My Favorite Jews'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-7451549047583407985</id><published>2008-02-09T21:37:00.002+09:00</published><updated>2008-04-06T00:26:34.428+09:00</updated><title type='text'>Seongmodo Visit</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: arial;"&gt;Wednesday took a tour of one of the West Isles, Seongmodo, with Edwin and Alexia. It was nice to get away from Hopyung for a day.  After arriving and getting a lunch, we went to the main attraction - Bomunsa, a Buddhist temple-complex, which is "overlooked" by a large bas-relief of the Buddha, carved onto the face of the mountain.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Afterwards, went out for some decent Italian food, and called it a night. Oh, yeah, and I lost my cell phone. That will get taken care of, though...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;I was going to add some photos, but then I realized that I took the highest quality shots, so it was taking forever to load them...I'll know better next time ;)&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-7451549047583407985?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/7451549047583407985/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=7451549047583407985' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/7451549047583407985'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/7451549047583407985'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/02/west-isles-tour.html' title='Seongmodo Visit'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-681310908947454305.post-2083200670801775783</id><published>2008-02-05T18:48:00.001+09:00</published><updated>2008-04-06T00:26:53.680+09:00</updated><title type='text'>Smashing a Wine Bottle</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: arial;"&gt;It's not seaworthy, but why not smash a wine bottle across this thing like they do in sailing circles? &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;This blog has been named after &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;font-size:100%;" &gt;The Light at the Center:  Context and Pretext of Modern Mysticism&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: arial;"&gt;, by Agehananda Bharati.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/681310908947454305-2083200670801775783?l=light-at-the-center.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://light-at-the-center.blogspot.com/feeds/2083200670801775783/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=681310908947454305&amp;postID=2083200670801775783' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/2083200670801775783'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/681310908947454305/posts/default/2083200670801775783'/><link rel='alternate' type='text/html' href='http://light-at-the-center.blogspot.com/2008/02/smashing-wine-bottle.html' title='Smashing a Wine Bottle'/><author><name>Christopher</name><uri>http://www.blogger.com/profile/14372360702983586791</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://bp2.blogger.com/_dk39flyfzJE/R6gyPpz2e9I/AAAAAAAAAAM/_Y7gz5pn8b4/S220/DSC00010.JPG'/></author><thr:total>0</thr:total></entry></feed>
